西南学院大学図書館

The image of the Black in African and Asian art

David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor. -- The Belknap Press of Harvard University Press, 2017. <BB00141397>
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標題および責任表示 The image of the Black in African and Asian art / David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor
出版・頒布事項 Cambridge, Massachusetts : The Belknap Press of Harvard University Press
出版・頒布事項 : In collaboration with the Hutchins Center for African and African American Research , 2017
形態事項 x, 434 p. : ill. (chiefly col.), map ; 29 cm
巻号情報
ISBN 9780674504394
内容著作注記 Introduction / David Bindman
内容著作注記 Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Blier
内容著作注記 The body in African art / Kristina Van Dyke
内容著作注記 Masquerade in Sub-Saharan Africa / John Picton
内容著作注記 The image of the Black in early African photography / Christraud Geary
内容著作注記 The image of the Black in modern and contemporary African art / Steven Nelson
内容著作注記 Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand
内容著作注記 The image of the Black in India / John McLeod and Kenneth X. Robbins
内容著作注記 The image of the Black in Chinese art / Don J. Wyatt
内容著作注記 The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech
内容著作注記 The image of the Black in Japanese art: 1850 to the present day / Alicia Volk
注記 Summary: The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representa
注記 Includes bibliographical references and index
学情ID BB23381764
本文言語コード 英語
著者標目リンク Bindman, David <> editor
著者標目リンク Blier, Suzanne Preston <> editor
著者標目リンク Gates, Henry Louis, 1950- <> editor
著者標目リンク Dalton, Karen C. C., 1948- <> editor
著者標目リンク Hutchins Center for African and African American Research <>
著者標目リンク Screech, Timon, 1961- <>
著者標目リンク Volk, Alicia <>
分類標目 LCC:N8232
分類標目 DC23:704.03/96
件名標目等 Blacks in art
件名標目等 Art and race
件名標目等 Art, African
件名標目等 Art, Asian